COLOR PLATES

in Baroque
AutorIn: Peter J. Burgard
Freier Zugang

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Plate 1
Plate 1Pieter de Hooch, Courtyard of a House in Delft, 1658
Plate 2
Plate 2Gian Lorenzo Bernini, David, Head, 1624
Plate 3
Plate 3Raphael Sanzio, The School of Athens, Stanza della Segnatura, Vatican, 1511
Plate 4
Plate 4Peter Paul Rubens, The Apotheosis of Henry IV and the Proclamation of the Regency of Marie de’ Medici, 1625
Plate 5
Plate 5Michelangelo Merisi da Caravaggio, Conversion of St. Paul on the Way to Damascus, 1601
Plate 6
Plate 6Michelangelo Merisi da Caravaggio, The Taking of Christ, 1602
Plate 7
Plate 7Annibale Carracci, Polyphemus and Galatea, Farnese Gallery Ceiling South, Farnese Palace, Rome, 1608
Plate 8
Plate 8Pietro da Cortona, Allegory of Divine Providence and Barberini Power, Barberini Palace, Rome, 1639
Plate 9
Plate 9Andrea Pozzo, Apotheosis of St. Ignatius, Sant’Ignazio, Rome, 1694
Plate 10
Plate 10Baciccio, Triumph of the Sacred Name of Jesus, Il Gesù, Rome, 1679
Plate 11
Plate 11Peter Paul Rubens, The Meeting of Abraham and Melchizedek, 1626
Plate 12
Plate 12Diego Velázquez, Las Meninas, 1656
Plate 13
Plate 13Peter Paul Rubens, The Drunken Silenus, 1625
Plate 14
Plate 14Francesco Fracanzano, The Drunken Silenus, 1640
Plate 15
Plate 15Giovanni Bellini, San Zaccaria Altarpiece, Venice, Detail, 1505
Plate 16
Plate 16Leonardo da Vinci, The Virgin of the Rocks, Detail, 1508
Plate 17
Plate 17Raphael Sanzio, Madonna with the Fish, Detail, 1514
Plate 18
Plate 18Michelangelo Merisi da Caravaggio, The Calling of St. Matthew, Contarelli Chapel, San Luigi dei Francesi, Rome, 1600
Plate 19
Plate 19Hans Jakob Christoffel von Grimmelshausen, Simplicissimus Teutsch, Frontispiece, 1668
Plate 20
Plate 20Hans Jakob Christoffel von Grimmelshausen, Simplicissimus Teutsch, Title Page, 1668

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Baroque

Figures of Excess in Seventeenth-Century European Art and German Literature