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Roman Portraiture and the Semantics of Extraction
In:
Gesicht und Identität / Face and Identity
Author:
Michael Squire
Type:
Chapter
Pages:
79–105
DOI:
https://doi.org/10.30965/9783846758151_007
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Gesicht und Identität / Face and Identity
E-Book ISBN:
9783846758151
Publisher:
Wilhelm Fink
Online Publication Date:
01 Jan 2015
Subjects
Art History
General
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Table of Contents
Preliminary Material
Gesicht und Identität. Wege, Übergänge, Passagen
Face and Identity. Paths, Transitions, Passages
Der lebendige Blick. Gesicht – Bildnis – Identität
Francis Bacon. Selbstporträts « dé-facés »
Persons and Things. The Temptation of Contemporary Art in Giacometti and Bacon
Roman Portraiture and the Semantics of Extraction
The Face as a Quasi-Thing
Having the Face. The Portrait in Person
Talking About the Face. Narrative Identity of Patients with Facial Surgery
The Challenge of Drawing a Face
On Reading Faces
The Human Face and Temporality
Colour Composition and Identity
Group Portraits – Between Individuality, Pattern and Form
“ Yes, We Can! ” – Power, Trust and the Rhetoric of the Image
The Great Diversity of Facial Expressions
I am Many – Sequential Self Images
Masks and Faces
Technical Abstraction
Stereoscopic Perception
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