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Perspektive – Die Spaltung der Standpunkte
Zur Perspektive in Philosophie, Kunst und Recht
Editor:
Gertrud Koch
Gertrud Koch
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Gertrud Koch
Gertrud Koch
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Hermann Kappelhoff
Hermann Kappelhoff
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Klaus Krüger
Klaus Krüger
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Claudia Benthien
Claudia Benthien
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Lydia Goehr
Lydia Goehr
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Barbara Hahn
Barbara Hahn
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Hinderk Emrich
Hinderk Emrich
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Karl Sierek
Karl Sierek
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Daniela Hammer-Tugendhat
Daniela Hammer-Tugendhat
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Josef Früchtl
Josef Früchtl
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Robert Post
Robert Post
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Emmanuel Alloa
Emmanuel Alloa
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›Perspektivismus‹ ist ein fester Begriff der Philosophiegeschichte und reflektiert die Standortgebundenheit von Wahrnehmung und Erkenntnis. Nietzsche, der im Zentrum der gegenwärtigen Debatten um die Spaltung der Standorte in Perspektiven steht, warnte davor, daraus relativistische Schlüsse zu ziehen, wie das viele seiner Anhänger taten. Der Kunsthistoriker Panofksy erläuterte, wie die Perspektive zu einer symbolischen Form der Weltdeutung wurde. Wie aber werden Perspektiven konstruiert, dezentriert und als Perspektiven sichtbar gemacht und in ihren Konsequenzen bewertet? Vor allem in den perspektivischen Verfahren der künstlerischen Darstellung von Bild- und Erzählräumen wird diese Frage virulent. Diese Fragen beantworten die Beiträge des Bandes aus Philosophie, Film- und Kunstgeschichte, Literatur und Rechtstheorie.
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