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Thomas Mann
Neue kulturwissenschaftliche Lektüren
Editors:
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Georg Mein
Georg Mein
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Stefan Börnchen
Stefan Börnchen
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Gary Schmidt
Gary Schmidt
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Contributors:
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Achim Geisenhanslüke
Achim Geisenhanslüke
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Marcel Lepper
Marcel Lepper
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Claudia Liebrand
Claudia Liebrand
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Thomas Wortmann
Thomas Wortmann
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Elisabeth Strowick
Elisabeth Strowick
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Alexander Honold
Alexander Honold
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Bernd Hamacher
Bernd Hamacher
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Franziska Bergmann
Franziska Bergmann
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Martin Roussel
Martin Roussel
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Rolf-Günter Renner
Rolf-Günter Renner
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Rüdiger Campe
Rüdiger Campe
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Juergen Brokoff
Juergen Brokoff
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Christof Hamann
Christof Hamann
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Jonathan Kassner
Jonathan Kassner
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Robert Tobin
Robert Tobin
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Christophe Kone
Christophe Kone
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Ulrich Wilker
Ulrich Wilker
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Jonathan Wipplinger
Jonathan Wipplinger
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René Michaelsen
René Michaelsen
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Manuel Clemens
Manuel Clemens
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Astrid Bischoff
Astrid Bischoff
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Irmtraud Hnilica
Irmtraud Hnilica
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Thomas Mann ist ein moderner Klassiker. Seit mehr als einem Jahrhundert antworten seine Texte – immer neu, immer anders, bis heute verblüffend – auf die Fragen einer sich wandelnden Gegenwart: so auch auf die neuesten Fragen der Kulturwissenschaft.
Dieses Buch dokumentiert diese Antworten in sechs unterschiedlichen theoretischen Perspektiven. Im Blick auf das Tier zeigt sich Thomas Manns literarische Anthropologie. Queer- und Medien-theoretisch geht es um Skopophilie, Oper, Grammophon und Stimmung. Zu den Institutionen in Thomas Manns Œuvre zählen Eisenbahn, Familie und Operette. Psychoanalytisch kommt mit der Kindheit auch die Scham in den Blick. Die Tradition schließlich schafft literarische Vorbilder wie Einflussangst; Musik bietet dagegen den Trost des Melodischen.
Dieses Buch dokumentiert diese Antworten in sechs unterschiedlichen theoretischen Perspektiven. Im Blick auf das Tier zeigt sich Thomas Manns literarische Anthropologie. Queer- und Medien-theoretisch geht es um Skopophilie, Oper, Grammophon und Stimmung. Zu den Institutionen in Thomas Manns Œuvre zählen Eisenbahn, Familie und Operette. Psychoanalytisch kommt mit der Kindheit auch die Scham in den Blick. Die Tradition schließlich schafft literarische Vorbilder wie Einflussangst; Musik bietet dagegen den Trost des Melodischen.
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