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Wessen Wissen?
Materialität und Situiertheit in den Künsten
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Kathrin Busch
Kathrin Busch
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Kathrin Peters
Kathrin Peters
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Christina Dörfling
Christina Dörfling
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Ildikó Szántó
Ildikó Szántó
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Knut Ebeling
Knut Ebeling
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Marcel Finke
Marcel Finke
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Stephan Trinkaus
Stephan Trinkaus
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Ute Holl
Ute Holl
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Tom Holert
Tom Holert
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Helmut Draxler
Helmut Draxler
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Barbara Gronau
Barbara Gronau
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Michaela Wünsch
Michaela Wünsch
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Karin Harrasser
Karin Harrasser
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Philip Scheffner
Philip Scheffner
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Sebastian Döring
Sebastian Döring
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Ulf Heidel
Ulf Heidel
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Marc Higgin
Marc Higgin
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Clemens Krümmel
Clemens Krümmel
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Ralf Liptau
Ralf Liptau
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Michaela Mélian
Michaela Mélian
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Jan-Peter Sonntag
Jan-Peter Sonntag
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Simone Ayivi
Simone Ayivi
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Josef Barla
Josef Barla
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Trixi Bücker
Trixi Bücker
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Ina Driemel
Ina Driemel
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Katja Eydel
Katja Eydel
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Heather Love
Heather Love
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Katharina Maly
Katharina Maly
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Yvette Mutumba
Yvette Mutumba
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Bonaventure Ndikung
Bonaventure Ndikung
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Onur Suzan Nobrega
Onur Suzan Nobrega
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Der Titel des Bandes behauptet eine Pluralität von Wissen und rückt die Vielheit materiell-semiotischer Akteur_innen in den Blick.
Fokussiert werden dabei zwei zentrale Aspekte: „Wessen Wissen?“ ist einerseits eine Frage nach Akteur_innen, Körpern, Materialien und Technologien, die in künstlerischen Produktions- und Wissensprozessen miteinander interagieren. Diese lassen sich als Übersetzungen und Transformationen beschreiben, in denen Künstler_innen längst nicht mehr die einzigen Subjekte des Wissens sind. Denn in den künstlerischen Praktiken des Entwerfens, Skizzierens, Modellierens, Probens und Experimentierens entfalten Medien und Materialien ihre je eigene agentielle Kraft. Es ist andererseits eine Frage nach der Heterogenität von Wissensformationen in ihren partikularen und partialen Perspektiven, also nach situated knowledges. Damit wird die Vorstellung einer allgemeingültigen, körperlosen, neutralen Objektivität bestritten. Im Gegenzug nimmt das situierte Wissen der Künste für sich in Anspruch, Erkenntnisse hervorzubringen und zur Verfügung zu stellen. Es steht demnach für verkörperte Kenntnisse, die in das Feld des zugelassenen und legitimen Wissens kritisch intervenieren.
Fokussiert werden dabei zwei zentrale Aspekte: „Wessen Wissen?“ ist einerseits eine Frage nach Akteur_innen, Körpern, Materialien und Technologien, die in künstlerischen Produktions- und Wissensprozessen miteinander interagieren. Diese lassen sich als Übersetzungen und Transformationen beschreiben, in denen Künstler_innen längst nicht mehr die einzigen Subjekte des Wissens sind. Denn in den künstlerischen Praktiken des Entwerfens, Skizzierens, Modellierens, Probens und Experimentierens entfalten Medien und Materialien ihre je eigene agentielle Kraft. Es ist andererseits eine Frage nach der Heterogenität von Wissensformationen in ihren partikularen und partialen Perspektiven, also nach situated knowledges. Damit wird die Vorstellung einer allgemeingültigen, körperlosen, neutralen Objektivität bestritten. Im Gegenzug nimmt das situierte Wissen der Künste für sich in Anspruch, Erkenntnisse hervorzubringen und zur Verfügung zu stellen. Es steht demnach für verkörperte Kenntnisse, die in das Feld des zugelassenen und legitimen Wissens kritisch intervenieren.
“Whose knowledge?” is a question about agents, bodies, materials, and technologies that interact with each other in artistic processes of production and knowledge. Artists have long ceased to be the only subjects of knowledge, inasmuch as media and materials develop their own particular force of agency in artistic processes. “Whose knowledge?” also is a question about the heterogeneity of formations of knowledge in their particularity and partiality, meaning as situated knowledges. This question contests the idea of a generally valid, incorporeal, neutral objectivity. It accordingly stands for embodied instances of knowledges that critically intervene into the field of approved and legitimate knowledge.
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