Thoreau in an Age of Crisis reconsiders the relevance of 19th-century-American naturalist, philosopher, and social reformer Henry David Thoreau to our troubled present.
This new anthology collects the work of fourteen leading scholars from various disciplines. They consider Thoreau’s life and work in light of contemporary concerns regarding racism, climate change, environmental policy, and political strife. They review Thoreau’s trajectory as a scientist and literary artist, as well as his evolving attitudes toward Native American cultures. Its essaysists also consider Thoreau’s acoustics, concepts of play, and impact on later writers. Most provocatively, they reveal a vulnerable and empathetic Thoreau, a far cry from the distanced and misanthropic critic often portrayed in popular culture.
Kleist has fascinated readers like no other German writer. How did a one-time soldier with an unremarkable literary education become one of the greatest innovators of German literature? What allows for the tragedy of his life? In what ways does his work speak to us today?
In his great biography Günter Blamberger gives us a new Kleist: Unlike conventional approaches, he does not try to understand Kleist's life from the perspective of its end—from the perspective of his suicide as the final catastrophe of a life in permanent crisis. Rather, he remains at eye-level with Kleist’s present, narrating from the perspective of Kleist’s experience—in the moment with him—capturing the unsettling or the astonishing in each phase of his life, the explosive nature of each one of his risky experiments in living and writing. The result is an indispensable work of German literary history—a vivid, captivating biography of one of the greatest literary geniuses of all time.
This volume shows how the portraits of the Greeks and Romans gave shape to and reinforced the perceptions of the particular character of a person. These considerations are based on intensive archaeological research, which in recent decades has successfully addressed questions of typology, identification, and historical classification of ancient portraits. Three aspects are examined in the interweaving of case studies and general reflections: the preconditions for the creation of portraits; the medial conditions of the creation processes; the efficacy of the created form.
When the Werner Reimers Foundation organized a colloquium on Human Ethology in 1977, it was about Claims and Limits of a New Discipline as a bridge between biology and the social sciences and humanities. As a lost discipline, however, the interdisciplinary approach to ethology only takes shape in a dispersed dispositif.
This is the framing argument, which derives from the nucleus of ethology, namely that the starting point of all knowledge is the body in its possibilities of movement in time and space to affect and be affected. In their essays (English or German), the contributors to this collection have worked through the heterogeneity of ethological thought – from Spinoza to Jakob von Uexküll, Gregory Bateson, Gilles Deleuze and Félix Guattari, Philippe Descola, or Isabelle Stengers – and practice – as, for example in the works of Virginia Woolf or Marcel Beyer – and have taken it as an opportunity to relocate ethology, 1. as an “Immanent Ecology”, 2.in the discussion of Anthropological Contrasts”, 3. in “Ethological Interferences and Practices”.