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Abstract
Carlo Goldoni’s comedy La locandiera as well as Gotthold Ephraim Lessing’s tragedy Emilia Galotti expound the problems of the order of the household in the early modern period. Both dramas focus on the power and the position of the father in the Enlightenment in order to reflect the transformations of the household and the dynamics due to the changing of positions in the family. These shifts become visible in the interaction of fathers and daughters with two remarkable effects: The presence of the father results in the daughter being incapable of acting, like Emilia Galotti, while his absence provokes an overacting of the daughter, like Mirandolina. Both women were not educated by their fathers and/or mothers to act self-aware and self-regulated in private and public spaces. On the contrary, they act in the name of the father without being able to reflect their actions and especially the consequences and effects of their activities – for themselves and others.