Das Ende der Kunst als Anfang freier Kunst

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Editors:
Klaus Vieweg
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Federico Vercellone
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Francesca Iannelli
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Contributors:
Erzsébet Rózsa
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Klaus Vieweg
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Federico Vercellone
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Yvonne Förster-Beuthan
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Leonardo Amoroso
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Francesca Iannelli
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Markus Ophaelders
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Tonino Griffero
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Gianluca Garelli
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Paolo D'Angelo
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Carlo Gentili
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Alain Patrick Olivier
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Mario Farina
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Mauro Bozzetti
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Lorenzo L. Pizzichemi
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Francesco Valagussa
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Alberto Martinengo
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Francesco Campana
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Suzanne Dürr
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Johannes Korngiebel
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Stella Synegianni
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Hegels These vom Ende der Kunst beinhaltet nicht die Todesanzeige für die Kunst. Im Gegenteil: Es handelt sich für Hegel um den Anfang der Entfaltung freier Kunst in der Moderne. Hegels These vom Ende der Kunst hat zusammen mit dem Topos vom Ende der Geschichte große Entrüstung ausgelöst. In beiden Fällen führte die unzulässige Identifikation vom Ende mit Untergang und Tod zu einem massiven, bis heute wirksamen Missverständnis. Der Mythos von einem Untergang der Kunst in Hegels Ästhetik wird von manchen noch immer und zu Unrecht zu einer Art Grabrede auf die hegelsche Kunstphilosophie stilisiert. Der vorliegende Band versucht, zur Überwindung dieses Vorurteils beizutragen.

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