Wessen Wissen?

Materialität und Situiertheit in den Künsten

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Editors:
Kathrin Busch
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Kathrin Peters
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Christina Dörfling
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Ildikó Szántó
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Contributors:
Knut Ebeling
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Marcel Finke
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Stephan Trinkaus
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Ute Holl
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Tom Holert
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Helmut Draxler
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Barbara Gronau
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Michaela Wünsch
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Karin Harrasser
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Philip Scheffner
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Sebastian Döring
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Ulf Heidel
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Marc Higgin
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Clemens Krümmel
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Ralf Liptau
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Michaela Mélian
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Jan-Peter Sonntag
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Simone Ayivi
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Josef Barla
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Trixi Bücker
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Ina Driemel
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Katja Eydel
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Heather Love
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Katharina Maly
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Yvette Mutumba
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Bonaventure Ndikung
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Onur Suzan Nobrega
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Der Titel des Bandes behauptet eine Pluralität von Wissen und rückt die Vielheit materiell-semiotischer Akteur_innen in den Blick.
Fokussiert werden dabei zwei zentrale Aspekte: „Wessen Wissen?“ ist einerseits eine Frage nach Akteur_innen, Körpern, Materialien und Technologien, die in künstlerischen Produktions- und Wissensprozessen miteinander interagieren. Diese lassen sich als Übersetzungen und Transformationen beschreiben, in denen Künstler_innen längst nicht mehr die einzigen Subjekte des Wissens sind. Denn in den künstlerischen Praktiken des Entwerfens, Skizzierens, Modellierens, Probens und Experimentierens entfalten Medien und Materialien ihre je eigene agentielle Kraft. Es ist andererseits eine Frage nach der Heterogenität von Wissensformationen in ihren partikularen und partialen Perspektiven, also nach situated knowledges. Damit wird die Vorstellung einer allgemeingültigen, körperlosen, neutralen Objektivität bestritten. Im Gegenzug nimmt das situierte Wissen der Künste für sich in Anspruch, Erkenntnisse hervorzubringen und zur Verfügung zu stellen. Es steht demnach für verkörperte Kenntnisse, die in das Feld des zugelassenen und legitimen Wissens kritisch intervenieren.
“Whose knowledge?” is a question about agents, bodies, materials, and technologies that interact with each other in artistic processes of production and knowledge. Artists have long ceased to be the only subjects of knowledge, inasmuch as media and materials develop their own particular force of agency in artistic processes. “Whose knowledge?” also is a question about the heterogeneity of formations of knowledge in their particularity and partiality, meaning as situated knowledges. This question contests the idea of a generally valid, incorporeal, neutral objectivity. It accordingly stands for embodied instances of knowledges that critically intervene into the field of approved and legitimate knowledge.

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